Contrary to what many readers think, writing a short story that works is harder than writing an excellent novel, but Galdi pulls it off with ease. A quickly consumed read that will make you think twice.Ī Road to Nowhere, a short story by the award-winning thriller write, Ted Galdi is a winner. What happens next will make your jaw drop. Justin makes an offer to spend some time alone with Fiona before dropping her off. He is clearly attracted to her though he has no idea how she feels about him beyond her reluctance to accept a ride from a stranger, particularly a male stranger. He tries to impress this new girl yet is not able to filter out some inappropriate and shortsighted comments while giving her a lift to the next town. We are privy to his anxiety regarding the potential implications of offering her his assistance as he decides that is indeed what he is going to do. It makes for a very interesting read that begs questions beyond the story.Ī chance encounter on a deserted road introduces us to a young attractive woman left alone by a vindictive boyfriend to fend for herself after an argument. The interplay between male-female relationships is explored from the perspective of our preconceived notions. I received this digital edition from the author in exchange for an unbiased review.Ī thoroughly entertaining short story thriller about the risks in picking up strangers. Tonight would prove to be the ride of her life. With no other options she accepted despite warnings of a serial killer loose within the state. A gruff looking man behind the wheel asked if she needed a ride. The vehicle approached slowly as she came into view. She remained on the side of the barren road. Now alone on a deserted highway, what was she to do? Hadn't thought to charge her dead cell phone before the trip. What had started out as a romantic night camping under the stars turned into a nightmare. Selfishly abandoned by her would-be boyfriend. On the side of a lonely Montana highway, a young woman stood. Shocked by an ending that I never saw coming. This well-written narrative left no time to look the other way. Consumed with nervous tension, swept along by a chilling storyline. My lizard brain had tripped into high alert. Ted Galdi presented a short story that struck at my very soul.
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Meteorologists and weather reporters worldwide often use this unit for convenience, since working in pascals would result in much larger values.ġ5 psi = 15 × 0.0689475729 bar = 1. Millibars (symbol: mb) are also commonly used when referencing atmospheric air pressure, where atmospheric pressure equals 1013.25 mbar (101.325 kPa). The International Bureau of Weights and Measures has specified the bar as a unit that authors should have the freedom to use but has chosen not to include the bar in the list of non-SI units accepted for use with SI. The term "bar" comes from the Greek word "baros," which means weight.Ĭurrent use: Although the bar is a metric unit of pressure, it is not accepted within the International System of Units (SI) and is even deprecated within certain fields. History/origin: The unit, bar, was introduced by Vilhelm Bjerknes, a Norwegian meteorologist who founded modern weather forecasting. It is equal to 0.987 atmospheres (101,325 Pa), the unit often used as a reference of standard pressure. Barĭefinition: A bar (symbol: bar) is a metric unit of pressure that is defined as exactly 100,000 pascals (symbol: Pa). Although the pascal is more widely used in scientific contexts, psi is more often used in everyday contexts, particularly in countries like the United States as well as others under the US customary or imperial systems of units. As such, the prototype pound at the time was known as the avoirdupois wool pound.Ĭurrent use: The psi is fairly widely used to measure numerous pressures, such as tire pressure, scuba tank pressure, natural gas pipeline pressure, among others. The system is believed to have come into use in England around 1300 and was used in the international wool trade. It is based on the avoirdupois system, a system that uses weights in terms of the avoirdupois pound, which was standardized in 1959. History/origin: Pound-force per square inch is a unit that originated in the imperial and US customary systems of units. One bar is 14.50377 psi, and we can therefore make the following bar to psi formula: bar × 14. Psi is short for pound-force per square inch (lbf/in), and it is the pressure from one pound-force applied to an area of one square inch. One psi is approximately 6,895 pascals (N/m 2). A bar is a little less than the average atmospheric pressure on earth at sea level. It is defined as the pressure that results when a force of one pound-force is applied to a one-square-inch area. Please visit pressure conversion to convert all pressure units.Definition: A pound-force per square inch (symbol: psi) is an imperial and US customary unit of pressure based on avoirdupois units. Psi (pound force per square inch) is 1 pound of force per square inch. What is Psi (Pound force per square inch)? To convert psi to bar, multiply the psi value by 0.0689475729 or divide by 14.5037738.įor example, to convert 50 psi to bar, multiply 50 by 0.0689475729 (or divide by 14.5037738), that makes 3.44737865 bar is 50 psi.īar is a pressure unit and is about equal to the atmospheric pressure at sea level. Psi = bar * 14.5037738 Advertisements How to convert psi (pound per square inch) to bar?ġ Pound per square inch (psi) is equal to 0.0689475729 bar. To convert bar to psi, multiply the bar value by 14.5037738.įor example, to convert 6 bar to psi, multiply 6 by 14.5037738, that makes 87.0226 pound per square inch is 6 bar. How to convert bar to psi (pound per square inch)?ġ Bar is equal to 14.5037738 pound per square inch (psi). Alternatively, to find out the pound force per square inch value for the most commonly converted bar values, you may check the bar to psi table.īelow, you will find information on how to convert bar to psi and how to convert psi to bar, including the formulas and example conversions. To convert bar to psi (pound force per square inch), you may use the bar to psi converter above. Let's convert this hex value to decimal - but: remember endianess? As the name suggests: It's data located at the beginning - the "head" - of a file, usually containing structural information about the payload data to come.įor example in a WAV file, as you can see in its specification, the header contains information like this:Īnnotated WAV header in hex Reading the audio samplerateĪnd as you can see, I've put the editing cursor (red mark) at the offset of the samplerate. So here we go: First, you have to know about the so called " File Header". Intentionally - and knowing what you're doing. Okay, now editing text was fun already, but imagine that you're actually going to manipulate binary data! O.O If you want to replace it with a shorter text, just add "space" characters to fill it up until its "null-terminated" end. So please: If you edit text strings, stay inside their boundaries. When doing this to a media file, pixels might be ill-colored, or the whole image falls apart, or all colors are wrong - or the viewing application crashes. If it's an executable, it might crash when trying to read that string, or access the data that you deleted by replacing it with your text. If you change a text string in a binary file and you overwrite its end (=the 0x00 byte), you overwrite actual code. Otherwise, bad things may - and probably will - happen to your file and to your system." It was endless fun translating English to Austrian slang, and share this personalized version with friends :Dīut when my father showed us this "hacker tool", he advised us: Maybe I chose this, because that was the first thing I did with a hex editor when I was a kid: I changed text phrases in my favorite computer games. But let's start with editing text in binary files. The hex editor can be used to edit binary files. That's how you know where one term ends and another one begins. The metadata fields inside a PNG for example, are separated by a 0x00 character. Therefore they're called " null-terminated strings". Text strings inside a binary file often end with the hex character "0x00". If you see the text displayed with dots, use multi-byte encoding, otherwise single-byte. Now, when searching for text inside a binary file, some editors allow to specify if you search for 1 or 2 byte encoded strings. Therefore the letters between the dots :) Thanks to downwards compatiblity with single-byte ASCII mapping, the basic alphanumeric characters are still readable in their 1-byte representation. The dots between the letters in Unicode are not to indicate an abbreviation, or some ASCII-Art: The dots represent non-printable characters. Single- and multi-byte character encoding of "hello" next to each other (separated by a space character "0x20") Here's a bogus example how these 2 encodings would look in a hex editor: If it's a number, you already know what to do, but if it's text you may find 2 different ways in which its displayed in the text column: In order to read embedded metadata, you need to know at which byte offsets to find which data field and how to interpret it. If you look at a lossy compressed audio file like MP3 or MP4, it's quite likely to contain descriptive metadata embedded. Handling text in binary files Searching TextĪs already mentioned, you'll encounter text phrases inside binary files. There is also a PDF version of this document available for download, as well as its Markdown source code. This article is mainly aimed at archivists with digital preservation needs, and maybe a bit for data forensic beginners. This part is about handling the data in the file itself, such as searching or editing text or reading and editing binary data with the use of a file format specification paper. In the previous part, we've covered the basics of "what is hex?" and how to use a hex editor for binary files.
The "Remove" macro command now removes the currently selected macro parameter instead of the last one.Macro Parameters & params assignments can now be saved and copied/pasted.Drag and drop macro parameters to change order / insert / copy.Network audio/MIDI processing server for the Connector plug-in.Input and output levels monitoring, built-in CPU meter. Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.Drag and drop or cut, copy and paste plug-ins with their settings between slots.Link pre and post gains for automatic gain compensation.External side chain and multiple outputs support.Flexible Audio routing: connect sub plug-ins i/o to any audio channel.Flexible MIDI routing: connect sub plug-ins together or with the host application.Macro controls & parameters mapping: map plug-ins parameters to automate them or use a control surface.Host up to 8 virtual instruments in parallel and mix them within the plug-in.Plug-ins Oversampling: select oversampling ratio and quality for each plug-in.Multicore processing support for parallel chains. Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.Build your own effects chains: up to 8 "pre" and "post" plug-ins slots to chain plug-ins in series.Available as an effect, virtual instrument or standalone application.30 built-in effects: Reverb, EQ, filters, pitch & frequency shifter, delays, modulation effects, compressor, gate, bit crusher, wave shaper and more.Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.Looking for more advanced audio routing within PatchWork? Check out Blue Cat's Connector!Ĭopyright Note: VST is a trademark of Steinberg Media Technologies GmbH. Also, any Blue Cat Audio plug-in is compatible and can be hosted by this software. If you are looking for a multiband plug-ins host for multiband processing, check out the Blue Cat's MB-7 Mixer plug-in. Input and output level meters are also available to monitor the signal that is dispatched to inserted plug-ins, including side chain and aux channels. This product is available as an audio plug-in (effect or a virtual instrument) and standalone application, so that it can used alone or inserted on any type of track in your favorite DAW, with up to 16 audio channels. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.Īlso, sub plug-ins can be automated or controlled with external control surfaces using Blue Cat's PatchWork parameters mapping capabilities. All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in.įor each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. Use the built-in audio effects to add color to your own plug-in chains.ĭespite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack's matrix. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. |
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